Exec at troubled hedge fund busted for operating "complex" weed farm in her home
Teri Buhl at Forbes reports on a sign of the times:
"An executive at a billion-dollar Connecticut hedge fund was arrested on felony charges of allegedly running a huge year-round pot farm inside her home. But her boyfriend says the cops have it wrong, that they're goat farmers, not dope farmers."
(Image: A CC-licensed photo by Flickr user r0bz.)
A bill introduced in Canada's House of Commons would give US Department of Homeland Security officials "final say over who may board aircraft in Canada if they are to fly over the United States en route to a third country." (via @ioerror) — Xeni • Comments: 16
For some uplifting weekend reading, I suggest Mary Roach's excellent Boing Boing special feature "Death In Space." From the intro:
"Death In Space"The U.S. has plans for a manned visit to Mars by the mid-2030s. The ESA and Russia have sketched out a similar joint mission, and it is claimed that China's space program has the same objective. Apart from their destination, all these plans share something in common: extraordinary danger for the explorers. What happens if someone dies out there, months away from Earth?
Swedish ecologists Susanne Wiigh-Mäsak and Peter Mäsak are the inventors of an environmentally friendly alternative to cremation and burial, called Promession. The technique entails freezing a body, vibrating it into tiny pieces, and then freeze-drying the pieces, which can then be used as compost to grow a memorial shrub or tree.
Interview with James Howard Kunstler, author of The Witch of Hebron
Matt Staggs of Suvudu interviewed James Howard Kunstler (The Long Emergency: Surviving the Converging Catastrophes of the Twenty-First Century) about his forthcoming novel, The Witch of Hebron, which is anther novel set in the same universe as his end-of-cheap-energy novel, World Made by Hand (which I liked and reviewed here).
Interview with James Howard Kunstler, author of The Witch of HebronStaggs: Both World Made by Hand and The Witch of Hebron take place in the world of The Long Emergency, which you’ve written about in the non-fiction title of the same name. Could you very briefly explain what the Long Emergency is for our readers?
Kunstler: The Long Emergency is the culminating crisis of modernity, growing out of the limits to growth, resource scarcity, and the collapse of the complex systems that keep us going — everything ranging from industrialized farming to oil-based transportation to electronic communication. It can also be described as the crisis of over-investments in complexity — resolving in a traumatic wave of sudden de-complexifying.
Staggs: Reading your novels, I find myself in some ways envious of the sense of community enjoyed by the residents of Union Grove, yet I remain aware of – and wary of – the incredible loss of life that our world would experience following a collapse of our oil-based infrastructure. On the whole, would you imagine that we’d gain or lose more in such a world?
Kunstler: It’s part of the tension of the story that we are constantly having to measure what’s been gained against what’s been lost. The losses are perhaps more obvious: comfort, certainty, and the whole prosthetic nimbus of technology that we are so used to. The gains are perhaps more subtle: making your own music, enjoying the sounds, scents, and sensations of nature much more directly, the blessed absence of cars and other motor-driven annoyances, unmediated relations with family, friends, and community members, a reconnection with the elemental ceremonies of birth, death, the harvest, the coming of spring, etc.
Adorable baby octopuses, living happy and free
Maggie Koerth-Baker at 3:16 PM Fri 
To make up for the research kittens.
Note: This starts out somewhat depressingly, with the body of a female octopus that died after reproducing—as all octopuses, male and female, do. But it quickly gets past that, and on to the wee, baby octopuses, floating around the sea. Turn off the sound to block out the sad song, and focus on that.
From jenniel, via Submitterator
Research on horribly cute kittens is kind of horrible looking
Maggie Koerth-Baker at 2:50 PM Fri
"In order to study the way that experience can influence the brain, there has been a great deal of research done on the visual cortex of the kitten."
Oh, this is going to end badly, isn't it?
This short documentary from the 1970s explains, in depth, some research that I mentioned earlier this year in a BoingBoing article on fetal senses. Long story short: Kittens are born blind and do a lot of their sight-linked brain development in the first few weeks after birth. Because of this, they make a handy model for studying how the brains of human fetuses form neural connections and how our sense of sight develops in the womb. It's important research that has helped medical science better understand how to care for premature human babies, besides adding valuable details to our understanding of the brain, in general.
Unfortunately, because kittens are adorable, said very important research looks almost comically evil when filmed. Seriously, this video is one "Thittens" joke away from working as a segment of Look Around You.
So, thanks, blorgggg (Thorgggg?), for sending this video in via Submitterator. I'm sure the Moderators will be thanking you (and me) as well. I do ask that, as we get into the inevitable discussion on animal research, you remember that the scientists involved did not raise kittens in completely dark rooms for sociopathic shits and giggles, but because they thought the potential benefits of the research outweighed the (mostly temporary) damage done to the kittens' visual abilities. You may disagree with that calculation—and you're welcome to do so. In fact, I think that complex discussion about ends and means in specific studies is valuable. And interesting. Far more so (on both counts) than simply labeling anyone who uses animals for research as a for-kicks abuser of fluffy baby kitties.
What Things Do: excellent webcomics
Panels from "Unraveling," part 2, by Jordan Crane
What Things Do is a stunningly good webcomics site, launched by comics artist Jordan Crane and featuring some of the best independent comics artists around, including Gabrielle Bell, Abner Dean, Sammy Harkham, Jaime Hernandez, Kevin Huizenga, Ted May, John Porcellino, Ron Regé Jr., Steve Weissman, and Dan Zettwoch.
Many of the artists here seem to have been mildly influenced by Tintin's Hergé (and Joost Swarte). This is not a big surprise, since Jordan Crane selects all the artists for his site, and Crane himself shows a little Hergé in his work. (I can't think of a better artist than Hergé from which to draw inspiration.)
The comics in What Things Do all have the same yellow-gray color scheme (with a few exceptions) that give the site and elegant cohesiveness. The comics are large clear and readable.
In addition to showcasing the work of contemporary cartoonists, What Things Do, runs "decades-old work" from worthy but not-so-famous cartoonists, as well as articles about comics. What Things Do: excellent webcomics
The Imp, a great journal about comic books, now as free PDFs
Daniel Raeburn has done the world a favor by creating free PDF versions of his outstanding self-published journal about comic books, The Imp. Though he published only four issues (I have them all in hard copy) Raeburn's journal is regarded as a masterpiece of comic book criticism. Each issue covered a single subject: Daniel Clowes in Vol 1, Jack Chick in Vol 2, Chris Ware in Vol 3, and Mexican "historietas perversas" in Vol 4.
The Comics Journal called The Imp “One of the very best things to come out of comics.”
Here's what This American Life creator Ira Glass said about The Imp:
It was clearly the work of an obsessed person, in the very best way possible. A really smart obsessed person. There was a kind of Talmudic completeness to the whole thing, in a way that journalism rarely even aspires to. Not much journalism tries to be so emotional, and funny, and analytical, and thorough. There’s really very little like it out there. The closest you get is one of those big stories they used to do in the old New Yorker, where at the end you feel like there’s nothing else that needs to be said on the subject. I read it admiringly and jealously. In the years since I read the Chris Ware issue I’ve actually become friends with Chris Ware, real friends, we talk all the time, and probably a third of what I know about Chris still comes from that issue of The Imp. It was that complete and emotionally insightful.
Stefan Jones, who also bought The Imp in hardcopy says,
The issue about Jack Chick is an amazing piece of journalism. It makes you feel some sympathy for the loon behind all of those hate-filled comic tracts.Much of issue 3 was reprinted in a monograph about Ware. I prefer The Imp version, which resembles one of Ware's big-format comic collections.
Volume Four was mind-boggling. I'd never heard of the Mexican comics in question. I keep meaning to get my hands on some.
Cannabis Catering offers gourmet meals laced with pot. The delivery service isn't cheap, around $100/person, but damn those pot-atoes look tasty. And yes, you need a medical marijuana card to order. From Fast Company:
The idea for Cannabis Catering came to (Chef Frederick) Nesbitt when he learned that his friend's diabetic mother had been diagnosed with cancer. "I would bring back edibles [from the dispensary], but they're so high in high-fructose corn syrup that she was high off sugar rather than being medicated," he says. So Nesbitt began experimenting with his own pot food--starting with mashed potatoes."Meet the Personal Chef of Pot" (Thanks, Mathias Crawford!)
For all your puzzlement needs: the self-inking WTF stamp.
Jewelry made from laminated, polished cross-sections of books
Cory Doctorow at 1:26 PM Fri
UK designer Jeremy May makes jewelry by laminating and polishing pages from old books together to make striking pieces: "The beauty of the jewels extends within the piece: text and images pass all the way though the object, only exposed at the surfaces - giving a tantalising glimpse of the book within."
LITTLEFLY (Thanks, Irene Delse via Submitterator!)
Tonio de Roover's East meets West sofa is meant to evoke flying carpets. I can't figure out how comfortable it'd be, but it looks great.
East meets west (via Craft)
Old tabriz rug becomes bear rug
An unnamed artist transformed a worn antique tabriz wool rug into a wonderful, fanciful bear rug. I imagine the reported "repaired knots and moth damage" just enhance its charm. 87" x 59", $1800 from CS Post.
Resignation cake sender has invoice cake delivered to People.com
Last year, I posted about how W. Neil Berrett quit his job by presenting his boss with a resignation letter on a sheet cake. Here's the story behind Berrett's latest cake document, a frosted invoice delivered today to People.com:
Invoice Cake to People.com (Thanks, Jess Hemerly!)Today I sent an invoice on a cake to People.com. I'm demanding $500 from them after my Cake of Resignation photo was used without permission and without payment.
Here's a timeline:
On August 10 this year I received an e-mail from an employee of People Magazine requesting permission to use my cake resignation photo in an article. This is shortly after the Jet Blue Steward event, prompting many 'Weird ways people have quit their jobs' news stories.
I replied to People and said they needed a license to use my photo - meaning they have to pay me to use it. I did not receive a reply.
On August 11 my image was used without authorization and without payment on People.com, in an article titled "Take This Job and Shove It! 8 Memorable Quitters".
I sent a cease-and-desist letter demanding my image be removed from their website. Six days later I receive an e-mail stating my image had been removed from their website. I received an offer at that time of $75 for the use of my image. That may have been reasonable if my photo's copyright had not been willfully infringed and used for six days.
So, today I sent the photo director an invoice for a usage license of my cake resignation photo. This cake was delivered today, September 3rd.
"They're into everything, from the Russian prostitute rings in resorts like Cannes and St Tropez to gassing tourists in their villa and stealing everything they've got. Bosses are now based here permanently, with foot soldiers working for them, often flying in for set periods before returning home with their profits in cash. The numbers really are unprecedented at the moment."—a French police officer, on the "military-like precision" with which Russian mafia are said to be taking over the French Riviera. (Telegraph UK) — Xeni • Comments: 10
The Student Loan Scheme: gateway drug to debt slavery
Information designer Jess Bachman has a new piece out which isn't so much an info-graphic as a graphic article. Jess explains:
It deals with the nightmare that has become student loans. Default rates on student loans are worse than sub-prime mortgages, and the total debt is bigger than all our credit card debts combined. It's a huge issue than many people are keeping quiet about. College students are a hugely under-represented and unadvocated group in Washington, and what we and the government are doing to them is just wrong.Link to the full-sized graphic on CollegeScholarships.org.
Adafruit Industries has posted a pair of terrific videos in which Apple's "Steve Wozniak and Steve Jobs talk about their short career building illegal telephone equipment, aka 'blue boxes.' Interesting how their two stories differ...the engineer and the marketer." Bonus: Cap'n Crunch! — Xeni • Comments: 2
Well, I know what I'm doing this weekend: here's a recipe for how to make sriracha hot sauce, the ubiquitous Asian restaurant condiment in that clear plastic bottle with the little white rooster on the side. (via Farhad) — Xeni • Comments: 21
Friday tunes: "Chola Maati Ke Ram," from the Peepli Live soundtrack
I drove south last weekend to a predominantly Indian suburb of Los Angeles to catch Peepli Live (Wikipedia) at a movie theater that plays only films from India.
Its was terrific, a poignant and LOL-filled commentary on the state of Indian news media, and the injustice and tragedy that rural communities face. Unsurprisingly, the soundtrack was full of great tunes. My favorite was the song embeded above, "Chola Maati Ke Ram," performed live here by Nageen Tanvir at a launch event for the film.
The lyrics of this song are about human mortality. Loosely and imperfectly: Time spares no one... death spares no one... our bodies are clay robes that will eventually disintegrate, so it is best to dedicate our lives to honoring Lord Ram, and all that is eternal.
Incidentally: Today, Kamla Bhatt will be interviewing the Indo-fusion rock band Indian Ocean, who performed several songs in the Peepli Live Soundtrack, at 12.30 pm PST on Stanford radio station KZSU. Listen online here.
The physics of breaking stuff with your fists
iO9 recently ran a story on how martial artists are able to break boards and cement blocks, using their hands rather than mystical powers. I thought it was pretty neat, but then I read an interesting counter-analysis by science journalist (and, significantly, martial arts practitioner) John Rennie.
iO9 is right about the lack of magic powers, he says. But they got the physics wrong. Key slip-up: Assuming martial artists strike like a cobra—fast punch, with a quick pull back at the end—when they have their smashing fun times. iO9's theory was that that movement caused the boards to bend and snap. But that's not how it works, Rennie says. In fact, martial artists are taught to follow through with their punches, aiming not at the board-to-be-broken, but at a point beyond it.
So how's the breaking really done? Rennie quotes an episode of the awesome old PBS show Newton's Apple:
One key to understanding brick breaking is a basic principle of motion: The more momentum an object has, the more force it can generate. When it hit the brick, [karateka Ron] McNair's hand had reached a speed of 11 meters per second (24 miles per hour). At this speed, his hand exerted a whopping force of 3,000 Newton's -or 675 pounds-on the concrete. A slab of concrete could likely support the weight of a few people weighing a total of 675 pounds (306 kilograms). But apply that amount of force concentrated into an area as small as a fist and the concrete slab will break.
The fact that martial artists also pick their materials very carefully doesn't hurt, either.
When breaking wooden boards, you use pine (not oak, not mahogany) that isn't marred by dense knots, cut ¾ inch thick and about 12 inches on the diagonal; you hit them to break along the wood's natural grain. (It's not playing by Hoyle but some breakers have been known to bake their boards in ovens before demonstrations to make them more brittle.) One good board, if held securely so that it won't move on impact, is so easy to break that even those with no training at all can be taught to do it in under five minutes.
P.S.: Rennie's blog, The Gleaming Retort, is part of a new family of science blogs, hosted by the Public Library of Science—a non-profit that publishes open-access science journals. I highly recommend checking out the entire PLoS Blogosphere.
The Wilderness Downtown: Chrome experiment by Chris Milk and Arcade Fire
The Wilderness Downtown is perhaps the best browser-dominating Net art piece I've experienced since Jodi.org's best work more than a decade ago. An experimental, interactive film by Chris Milk, it's a tour-de-force for the Chrome browser and a lovely visual poem to accompany Arcade Fire's excellent "We Used To Wait" from their album The Suburbs. I won't give the "story" away, but I found it to be a deeply personal and moving experience.
Choreographed windows, interactive flocking, custom rendered maps, real-time compositing, procedural drawing, 3D canvas rendering... this Chrome Experiment has them all. "The Wilderness Downtown" is an interactive interpretation of Arcade Fire's song "We Used To Wait" and was built entirely with the latest open web technologies, including HTML5 video, audio, and canvas.The Wildreness Downtown (Thanks, Jean Hagan!)
"Behind the Work: Arcade Fire 'The Wilderness Downtown'" (Creativity Online)
Thanks for reading and "May the scientific method always be with you."
David Ng (Twitter) is a science literacy academic based at the Michael Smith Laboratories at the University of British Columbia. He is currently on sabbatical at London’s Natural History Museum, and encourages you to check out the PHYLO project.
Phylomon cards: "EUROPEAN HONEY BEE, I CHOOSE YOU!"
I had a great experience here at Boing Boing, and want to send on a big thanks to Mark, Cory, Xeni, David, Rob and the rest of the crew for letting me spend some quality time here. I'm also grateful to the many museum folks who let me chat with them, and so graciously showed me their projects. Kudos especially to Bob Bloomfield for the warm welcome and the many discussions on biodiversity advocacy. Hopefully, my posts didn't dilute the overall awesomeness here at Boing Boing, and at the every least, I hope a few more people are interested in Nagoya COP10. Also, it was fun to do my part to increase the Chewbacca quotient (even if only slightly) here at the site.
With that, I'd like to end with two last requests. Both related to biodiversity: one is kind of worthy, the other a little goofy. One requires folks of the artistic bent, the other maybe a more scientific approach.
Nagoya COP10 Primer #4: with reference to Twitter
David Ng (Twitter) is a science literacy academic based at the Michael Smith Laboratories at the University of British Columbia. He is currently on sabbatical at London’s Natural History Museum, and encourages you to check out the PHYLO project.
Continuing from:
Nagoya COP10 Primer #1: with references to Star Wars
Nagoya COP10 Primer #2: with a reference to Kevin Bacon
Nagoya COP10 Primer #3: with a small reference to LOL cats
So what should be done at Nagoya? This is the 20 million species plus question. And for all of the criticism that I've (and others) have proffered, we should appreciate that the task at hand is going to be quite the challenge. If nothing else, this is immediately clear from the often anthrocentric (humans rule the Earth and are just playing our role on the evolutionary front, so deal with it!) commentary left on biodiversity pieces throughout the internet.
There is a somewhat official Strategic Plan document out there, one that (with a remarkable lack of brevity) highlights 2020 goals and attempts to identify the process and partners to be involved. It's worth a look, although probably best absorbed by taking in the tables shown on page 19 on. It involves a list of some 20 different target statements. Some of which are short, bouncy, although still vague like a twitter tweet:
1. By 2020, everyone is aware of the value of biodiversity and what steps they can take to protect it.
Others are more to the point:
11. By 2020, At least 15% of land and sea areas, including the most critical terrestrial, freshwater and marine habitats, have been protected through effectively managed protected areas and/or other means, and integrated into the wider land- and seascape.
A few establish direct talking points for individual COP members:
16. By 2020, Each Party has an appropriate, up-to-date, effective and operational national biodiversity strategy, consistent with this Strategic Plan, based on adequate assessment of biodiversity, its value and threats, with responsibilities allocated among sectors, levels of government, and other stakeholders, and coordination mechanisms are in place to ensure implementation of the actions needed.
And this one, almost works as a haiku:
3. By 2020 Subsidies harmfulto biodiversity
are eliminat...
Crystal Jellybean Skull only $6 in Boing Boing Bazaar
Who in their right mind wouldn't want a Crystal Jellybean Skull for only six dollars? Get yours now in the Boing Boing Bazaar.
HOWTO: Tiny BBQ out of Altoids Sours tin
Instructables.com contributor vmspionage built a tiny BBQ grill out of an Altoids Sours tin and computer fan grates. My 4-year-old (and I) would love this for making s'mores, one bubbling, tooth-decaying marshmallow at a time. Altoids Sours BBQ Grill
Japanese Schoolgirl Confidential: How Teenage Girls Made a Nation Cool, by Brian Ashcraft and Shoko Ueda, looks at how this archetype has become such a distinctive international symbol. Following is an excerpt, about the artwork of Makoto Aida, from the book. — Rob
Art, nature, the history of science, and whoa, aren't these are beautiful?
David Ng (Twitter) is a science literacy academic based at the Michael Smith Laboratories at the University of British Columbia. He is currently on sabbatical at London’s Natural History Museum, and encourages you to check out the PHYLO project.
Plate 73 of the John Reeves Collection of Zoological Drawings from Canton, China, 1774-1856. (© The Natural History Museum, London).
Reeves was an English tea inspector, but also amassed a wonderful collection of Chinese drawings of plants and animals during his time in Canton.
A few weeks back, I had a great conversation with Judith Magee, Library Special Collections Curator at the Natural History Museum. From this conversation, as well as others (thanks Peronel, Martha, Bergit), it soon became clear that there were many individuals within the museum that had a passion for things pertaining to the humanities and the arts (see also this previous post).
In particular, the museum happens to house a vast collection of illustrations and paintings, many of which were originally produced as a way to scientifically document new species, new cultures, and other things observed during expeditions. However, it's also clear that apart from their historical value, these pieces of artwork also have immense aesthetic value. They. Are. Beautiful.
And speaking to Judith, you can literally feel the enthusiasm and affection for such pieces. Judith talked to me about writer/artists such as Alexander von Humboldt, John Bartram, as well as the wonderful drawings collected by John Reeves.
Boneless, clubfooted French Connection model invades Melbourne
As seen tonight in the casino across from the Melbourne Convention Centre: a boneless, clubfooted French Connection model.
Club-footed rubber-band woman visits us from the French Connection dimension, Melbourne, Australia
Homeroom Security: book about the insanity of zero-tolerance classroom policies
Cory Doctorow at 5:41 AM Fri
Salon's got a blood-boiling interview with Aaron Kupchik, author of Homeroom Security: School Discipline in an Age of Fear, a close look at four very different US schools. Each school has a different demographic and different location, but the thing they all share is a set of zero-tolerance policies that turn them into Kafka-esque nightmares:
America's real school-safety problemThey started in the '90s, and they were spurred by the federal government's Safe and Drug Free Schools Act, which required schools to implement zero tolerance for certain things like weapons. What schools have done across the country in the last 15 years is to expand greatly what falls under zero-tolerance policies. So they extend to not just deadly weapons and drugs but sometimes fighting and prescription drugs and other types of substances. What they mean is that if you're caught violating this broad rule, there's no discussion and no elaboration of why you did this. No investigation. We just punish you with the one-size-fits-all punishment.
We're teaching kids what it means to be a citizen in our country. And what I fear we're doing is teaching them that what it means to be an American is that you accept authority without question and that you have absolutely no rights to question punishment. It's very Big Brother-ish in a way. Kids are being taught that you should expect to be drug tested if you want to participate in an organization, that walking past a police officer every day and being constantly under the gaze of a security camera is normal. And my concern is that these children are going to grow up and be less critical and thoughtful of these sorts of mechanisms. And so the types of political discussions we have now, like for example, whether or not wiretapping is OK, these might not happen in 10 years.
Homeroom Security: School Discipline in an Age of Fear
(Thanks, Pete_Darby, via Submitterator!)
Behold, the glory of a thoroughly enstapleified telephone pole, snapped last week in Toronto.
Etsy seller Buster and Boo does a nice line in vintage, moderately priced jewelry and decorative art made from vintage typewriter keys from the 1920s and 1930s.
Xeni posted a great NASA image of the 2010 Hurricane Earl earlier this afternoon, which got me hunting around for some information on Hurricane Earls past. After all, this is not the first Earl. There've been three others, as well as some lesser Tropical Storms of the same name. The naming lists for these things are used again every seven years, and individual names are only retired after they've been attached to a particularly damaging storm. Earl, so far, has not.
When the names do get retired, replacing them isn't easy. According to Time magazine, there's a whole list of types of names that aren't allowed. Over the years, the meteorologists in charge of naming have resorted to flipping through the weirder end of baby name books and adding friends' names to the list.
Time: How are hurricanes and tropical storms named?
Above: Hurricanes Earl and Danielle in their 1998 incarnations.
Another oil rig explosion, and the science of dispersants
Another oil rig in the Gulf of Mexico exploded today. All crew members survived. Right now, nobody knows whether or not the explosion caused a leak in any of the seven wells that the rig collects from. There have been reports of an oil slick on the water near the fire, but that could just as easily be from the finite amount of oil stored on the rig—which would still a spill, but a significantly less problematic one.
Other than that, there's not really much information out about this right now. If anybody's learned anything from Deepwater Horizon it seems to be that you're better off, PR-wise, if you don't have to correct everything you say two days later.
To give you something to chew over in the meantime, though, Deep Sea News has been doing a really interesting series on the science (such as it is) of oil dispersants. It's interesting, not just because of the basic facts, but also because it gets into the details of why we don't know more.
Dispersants must be applied successfully and have a high effectiveness once in ocean waters. This sounds easy, in principle--once you've perfected your Corexit formula in the lab, just spray it from a helicopter, and voila! Except there are a lot of factors which you also have to take into account: the composition of the oil spilled, sea energy, whether the oil has been subjected to weathering at all, exact type of dispersant used and the amount which you sprayed, and ocean temperature/salinity.
Thank goodness for all those lab tests over the years which figured all this stuff out, you say. Um, well actually it seems like even designing simulation experiments is difficult, and different tests can report different effectiveness scores for the same dispersant. It is difficult to accurately scale up lab tests in order to predict dispersant action on real spills. Older studies used methods and analyses which have since been discredited. Wave-tank tests can probably provide upper limits on dispersant effectiveness, but there are SEVENTEEN (!!) critical factors that require strict control for accurate results (Fingas 2002). Field tests in open ecosystems are even worse for measuring the fate of oil and controlling variables. In terms of measuring dispersant effectiveness, tank tests, field tests, and lab tests all disagree. Awesome.
Part 1: How effective are dispersants on real oil spills?
Part 2: How toxic are dispersants?
Part 3: Do dispersants really promote degradation of oil?
Image of a random oil rig: Some rights reserved by kenhodge13
Preschoolers being radio-tagged
Cory Doctorow at 4:36 PM Thu
Mary Robinette Kowal sez, "Preschoolers in Richmond, California are being handed RFID jerseys when they get to school. The ACLU points out that in addition to the privacy concerns, these are not secure tags. It has the potential to make kidnapping and stalking very easy."
The editors of Scientific American said it well back in May 2005: "Tagging ... kids becomes a form of indoctrination into an emerging surveillance society that young minds should be learning to question."Don't Let Schools Chip Your Kids (Thanks, Mary, via Submitterator!)
Cartoonist Pete Emslie posing with Julie Newmar
I can't stop looking at this photo of talented cartoonist Pete Emslie posing with my favorite Catwoman, the beautiful Julie Newmar.
How astronauts see Hurricane Earl. This image acquired by NASA two days ago:
The relatively placid view from the International Space Station belied the potent forces at work in Hurricane Earl as it hovered over the tropical Atlantic Ocean on August 30. With maximum sustained winds of 135 miles (215 kilometers) per hour, the storm was classified as a category 4 on the Saffir-Simpson hurricane scale as it passed north of the Virgin Islands.
Curator and artist Aunia Kahn selected a group of 23 lowbrow/pop surrealist artists to interpret one card each of the Major Arcana of the Tarot deck. Hi-Fructose has a sneak preview of 14 of the cards, which will debut October 1 with a full show at Los Angeles's La Luz de Jesus Gallery, a book, and of course a deck of cards. Above left, card back by Daniel Martin Diaz; right, The Devil by Chet Zar
The LowBrow Tarot Card Project preview (Hi-Fructose)
UPDATE: You can see the entire show at the La Luz de Jesus site here.
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Mark
Read free sample chapters from my new book, Made By Hand.
Cory
Latest novel: For the Win
[Donate a copy to a library or school]
Australia: World Science Fiction Convention/Melbourne Writers Festival, Sept 2-5
Germany: Little Brother tour, Sept 13-23
Netherlands: PICNIC/Bits of Freedom (Dutch Makers launch), Sept 23-25
Xeni
Check out Boing Boing Video's YouTube channel, full of video goodness.
Rob
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